Mbuti Pygmies listening back to recordings made by Hugh Tracey.
From the 1930’s to the 1970’s, Hugh Tracey criscrossed Africa from the Sudan border to Cape of Good Hope. He recorded lots of songs and musics. Since a few years, the Sharp Wood label has decided to bring out a series of cd’s selected from his recordings. The quality is very good if you consider the state of the electronics at the period and the travel conditions in Africa.
In 1952, during a big recording fieldtrip, he went to eastern and northern Congo, at the edge of the Ituri rainforest were he encountered the Mbuti Pygmies in their interaction with other people like the Nande, Bira, Mangbetu and Budu – all Bantu people. The recordings reveal the exchanges of the pygmies with their neighbours, exchanges of food, but also of music instruments. Tracey didn’t record the pygmies in the forest but in two different Bantu villages where he was taken aback by the superiority of the Bantu people against the pygmies.
The Mbuti are the original inhabitants of the forest, the other groups came later in the region, driven out of their homelands by war or slave trade. All these groups have lots of different musical intruments to play on, in contrast with the pygmies who sometimes borrow these but are experts in elaborate songs, with complex harmonic sense, developped sense of rhythm and technical virtuosity. Words are relatively unimportant, the sound is.
I made a selection of songs with yodel, there are some more on the cd, plus songs and music from the neighbouring people. I’ll try to make it diverse but at the same time I’ll try to select a honey harvest song and a hunting song in every post about the pygmies.
Iyo-o-o is a wedding song (but could be used as a lullaby) sung by Moisi, Magdalena and Teresa. It is mostly composed by vowel sounds or very simple words and there is no attempt to form a lyric. Being forest people and living from hunting and gathering, they sing hunting and harvest songs and use yodelling to call each other. The honey harvest is yodelled and accompanied with sticks in the second part of the song. For The Antelope hunt, you first hear the sound of hunting pipes, then yodels that are performed at the kill. It is interesting to note that the singer on Hunting cries is Moke, who will be named and described in Colin Turnbull’s book The forest people as being “… the greatest traditionalist of all… smiling his toothless smile.” And to end, there’s nothing better than a lullaby, Manatobo kukwo, also sung by Moke.
Antoine Kalosoyi, known to all as Wendo Kolosoy, was born in 1925 in northwestern Congo, then under Belgian colonial rule. He became an orphan in his early childhood and was taken to live with the Christian Brothers where he began to sing and play guitar. Expelled by them because of the lyrics of his songs, he became a professional boxer and worked as a sailor but soon started a career as singer in the mid 40s with his band, Victoria Bakolo Miziki. His first succes came with Marie-Louise in 1948, a song he would re-record many times. He was the first superstar of Congolese music and the founder of the Congolese rumba. He decided to stop performing in the 60s because of the political situation of the country and because he didn’t want to sing praises of Mobutu. In the 90s, he restarted his career and recorded new albums, a bit like the Buena Vista Social Club. He died on July 28, 2008.
